The latest ultra-short throw projectors deliver large, bright images from just centimetres away, but businesses must weigh image quality, input lag and consumer-grade software against their space-saving appeal.
In 2026, ultra-short throw projectors are moving from niche kit to a serious option for business rooms that need large-format display without the footprint of a wall-mounted panel. ZDNet France says these systems can create images from roughly 80 to 150 inches while sitting only a few centimetres from the wall, which removes presenter shadows and frees up table space in meeting and decision rooms.
The appeal is not only spatial. In practice, the best models now combine strong brightness, improved colour handling and integrated audio that can stand in for a separate soundbar in hybrid meetings. ZDNet France’s selection of five enterprise-oriented projectors reflects that shift, but it also underlines an important caveat: many of these devices still rely on consumer operating systems, so IT teams may need to isolate them on dedicated VLANs or pair them with secured external presentation hardware.
At the top of the mobility and collaboration segment is the JMGO O2S Ultra, a compact model that weighs 4.5kg and measures about 30cm across, according to tests published by Les Numériques. Its tri-laser engine delivers a contrast ratio of 1,950:1, and its integrated Dynaudio system is positioned as a practical option for rooms that need built-in sound without extra AV infrastructure. The trade-off is image refinement: Les Numériques reported softer edges and chromatic artefacts that can hinder work on dense spreadsheets and dashboards, while the Google TV platform raises security questions for corporate deployments.
For rooms where image fidelity and responsiveness matter more than portability, the Hisense PT1 stands out in ZDNet France’s analysis. The publication highlights its TriChroma engine, 99.5 per cent DCI-P3 coverage, 4,750:1 contrast ratio and 18.2ms input lag, making it suitable for design reviews, live collaboration and fast-moving demos. Its acoustic output is also restrained at 33dB, but ZDNet France notes that companies will likely want to bypass the built-in Vidaa environment by using a secure wireless presentation unit or thin client.
Formovie has two entries in the selection, each aimed at a different budget and room size. The Theater Premium is presented as the more capable all-rounder, with a 0.21:1 throw ratio, 2,200 ISO lumens and Bowers & Wilkins audio, while Formovie’s own product information says it supports 80- to 150-inch images, Google TV and native Netflix. The Cinema Edge, meanwhile, is the simpler and cheaper option for smaller rooms: Formovie says it offers a 0.23:1 throw ratio, 2,100 ISO lumens and a 25,000-hour mono-laser light source, although Engadget has described it as a midrange projector that trails rivals in brightness and colour accuracy.
At the premium end, Samsung’s The Premiere 9 is the brightest and most aggressive spec-sheet entrant in the group. ZDNet France says its 0.189:1 throw ratio is the shortest in the selection, allowing a 130-inch image from just a few centimetres away, while its triple-laser light source produces 3,200 ANSI lumens and front-firing audio rated at 40W. The same report also flags a high input lag of 57ms, which makes it a poor fit for interactive use, and says its white chassis can introduce unwanted reflections. For organisations that want a large, bright display for boardrooms or executive spaces, however, it remains the most forceful option in the line-up.
Disclaimer: This content is intended for informational purposes only. Readers are advised to exercise their own judgement, conduct due diligence, or consult a qualified expert before acting on any information provided.
